For 2024 the aim remains to post a review at least every other Friday and to complete the Bookpacking reading journey.

25 October 2013

Heart of Darkness – Joseph Conrad


Part of the ‘Into and out of Africa’ reading journey

The story opens on board a yacht moored in the Thames but due to set sail for parts unknown; the men aboard are drinking and swapping yarns as they wait listlessly for the tide to turn. The setting sun provides a brooding backdrop and leads one of the men, Marlow, to declare “this also has been one of the dark places of the earth” and launch into a tale.

He’s speculating how the first Roman invaders must have felt sailing up the river into the unfamiliar British terrain in an inhospitable climate populated by savage natives; an interesting parallel to his own experience captaining a river steamboat up the Congo to ‘relieve’ the resident of a remote ivory trading post.

The man at the centre of the mission is the charismatic Mr Kurtz whose trading prowess is second to none due in part to a skill in oratory that gives him a Messianic quality that spellbinds colleagues and natives alike. In fact the natives are so devoted they don’t want him to leave.

Marlow’s engagement, induction and voyage up river is recounted; with hard-nosed detachment as far the physical dangers are concerned, but with more circumspection as regards the psychological pressures that emanate from the jungle beyond the riverbank – the continent’s heart of darkness. He can begin to understand how a white man may succumb to “the fascination of the abomination” that can be found there and be prey to “the growing regret, the longing to escape, the powerless disgust, the surrender, the hate”.

The immensely powerful language (quoted to do it justice) gives the novella the feel of a horror story; as it is – but there’s nothing supernatural here, it is all horribly, if unfamiliarly natural in the time and place that was Equatorial Africa in the time of colonisation. And Conrad should know, he did the steamboat job himself and, as a result, this anguished take on colonisation provides an interesting contrast to Rider Haggard’s bravado. (See previous review of King Soloman’s Mines).

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