Jackson Brodie, private investigator, has a new case. Immediately following the death in Ilkley of 96-year-old Dorothy Padgett, a Renaissance painting that hung on her bedroom wall has gone missing. As has her capable carer of six months, Melanie Hope. Dorothy’s offsprings, twins Ian and Hazel, want this missing and potentially valuable portion of their inheritance back. Jackson has misgivings about Ian and Hazel – why not call the police, why wasn’t it insured – but a case is a case and he is onto it.
Melanie Hope is a dead end, but researching other recent art thefts turns up a couple with a similar MO, including one in Yorkshire. The removal of a Turner landscape from its frame at the Burton Makepeace estate occurred two years previous. In the frame for the theft was new housekeeper Sophie Greenway, not seen since.
Now, as it happens, Jackson used to know someone in the Yorkshire force, and he still has her number. DC Reggie Chase takes the call with mixed feelings. She likes Brodie, shares his passion for justice, but abhors his approach and disregard of rules and due process for such things as providing an evidential trail.
Inevitably, as she worked on the Turner theft, she is drawn into working in concert with the maverick Brodie. Jackson barrels into Burton Makepeace where a range of characters – Lady Melton and her dysfunctional dynasty, a vicar who has lost his faith, and an ex-soldier who has lost his leg – await to confuse, confound, and entertain.
Expect plot twists, black humour, death, destruction, and a dramatic dénouement enhanced by the arrival at Burton Makepeace of a blizzard, a troop of murder mystery players, and an escaped convict, armed and dangerous.
How does this latest compare with the previous Jackson Brodie books? The man himself is up to scratch, and it is great to meet Reggie Chase again. The plot holds together and minor characters have the usual depth and appeal, but that frantic ending teeters on the brink of farce.
However, Kate
Atkinson has literary credit in the bank with me, so that minor point is a tiny
bit of rough to take with an awful lot of smooth.