Here, Jackson Brodie, itinerant and now
semi-retired private investigator, washes up in Yorkshire. He has just the two
cases on the go and one is into his own missing ‘fake’ second wife, Tessa, who
has gone off with most of his money. On the plus side he has gained a son, now
confirmed as his, though resident with mother Julia, who filled much of the gap
between Jackson’s first wife (Josie) and Tessa.
Jackson, a bit of a loner, often finds
himself having imaginary conversations with Josie and Julia, although he soon widens
this circle to include ‘Jane’ his satnav voice and a small dog that he
unexpectedly acquires.
But his professional case is the current
focus - an antipodean request to trace a woman’s origins. Adopted in Leeds 35
years ago, she cannot find any record of her birth or adoption, so has asked Jackson
to investigate.
As to be expected in the Jackson Brodie
novels (and it is a great strength) he does not hog the spotlight; there is an
ensemble of interesting, wonderfully filled out characters who criss-cross the
stage taking the reader off in seemingly diverse directions albeit with a common
theme emerging of losing and finding.
A big presence, in all ways, is Tracy
Waterhouse. She has lost her sense of purpose having retired from the police
force and taken up a job as head of security at a shopping mall in Leeds; and
not lost, but missing, is someone or something to love, which leads her into a risky
and impulsive action.
What aging actress Tilly Squires is losing
is her mind, as creeping dementia causes her to drift between the past and the
present, and between her TV role and reality.
And then there is Barry Crawford,
ex-colleague of Tracy’s, nearing retirement himself and in a different way to
Tilly, nearing the end of his tether. He’s effectively lost his family with his
grandchild killed, his daughter in a two year coma, his son-in-law serving a
two year sentence for the drunk driving that caused both, and a wife with whom
he has no relationship other than sharing an address.
When Jackson Brodie comes asking questions
about a baby who materialised from nowhere in 1975, Crawford realises that a
secret he helped to bury 35 years ago could be found and blow up in some
important faces.
Kate Atkinson weaves these threads (and
more) together with great dexterity, mischievous wit, sly social comment and comic
observation. I also love, in a self-torturing way, how the characters bump into
each other, blissfully unaware of each other’s identity and how intertwined
their lives have, or will, become. It is difficult to avoid shouting helpful
comments at the page.
How it all turns out remains a hook right to
the end; and though with Atkinson the dénouement is never simple, it is always satisfying.