For 2024 the aim remains to post a review at least every other Friday and to complete the Bookpacking reading journey.

20 December 2019

Slipless in Settle – Harry Pearson


Sports columnist Harry Pearson turns his attention to cricket, eschewing the so called first-class test and county game for the grit of the northern leagues.

He decides to visit a representative sample of the hundreds of games that take place every weekend as local teams battle out limited-over matches in the towns and villages of Lancashire, Yorkshire and the counties further north.

These are nominally amateur leagues in which one professional (sometimes two) are allowed per club; and with decent money on offer, at least historically, top test players from round the world have graced the challenging wickets and partisan atmosphere at the likes of Ashington, Blackrod, Bacup, Stockton and Settle.

Each of Pearson’s trips trigger an avalanche of comic observation, cricketing nostalgia and pithy comment on the way things were and the way things are. Players past, and all the greats played up here - Learie Constantine, Gary Sobers, Wilfred Rhodes, Basil D’Oliviera to name but a few – are lovingly recalled along with their sometimes questionable character traits and their epic feats etched into club record books.

Each game visited gets a mention too, with credit (or otherwise) given to the current crop of players, supporters behind the scenes, and spectators.

Funny and hugely entertaining, particularly for those for whom the cricketing names and places resonate.

06 December 2019

The Edible Woman – Margaret Atwood


It is the 1970s in Canada and Marian MacAlpin is a modern city girl living the bachelorette life and in the first part of the novel she shares that life and her thoughts through a first person narrative.

Her job with a market research company is satisfying enough while hardly stretching her recently graduated status and she rubs along in a shambolic symbiotic fashion with flat-mate Ainsley, united by a common enemy in the shape of the woman downstairs, their landlady. And there is a boyfriend, handsome and soon to be well-heeled lawyer, Peter. All is fine, normal; maybe, when she thinks about it, even boring. Maybe Marian needs a change, but one is coming as Peter stumbles into a proposal that Marian readily accepts.

A change occurs in the second part of the novel. Marian seems to cede, willingly, much of her autonomy to Peter. Much but not all. Within her, unconscious seeds of resistance sprout. Her body begins to reject certain types of food, increasingly and inconveniently narrowing her choice of diet. And her mind dwells on a strange young man she first meets during a survey, then repeatedly bumps into. And her story is now told in in the third person.

The tension between the conventional trajectory of her normal life and the subliminal intervention of her mind and body is played out in typical Atwood style (though this is a very early work). How will it end? In a short part three, but whether told in first or third person could hold the key.

What could have been a standard story of conflicted relationships becomes in Atwood’s hands a memorable, slightly off-kilter, fine piece of writing.