The book’s title is odd but accurate. It’s
about love and is set in the Caribbean coast of South America between the
middle of the 19th and the early 20th century when
cholera was an ever present threat at least to the poorer communities.
The story moves backwards and forwards in
this period exploring aspects of love. Fear not of apparent spoilers below –
what happens is set out early and it is the how that engrosses.
To start (chronologically) there is Fermina
Daza’s schoolgirl fixation on the plain but enigmatic Florentino Ariza, which
he reciprocates in spades. She moves on, to be wooed by the sophisticated Dr
Juvenal Urbino, and we see young married love bloom then fade to indifference
under the pressure of in-laws; adultery rears its loveless, lustful head.
Meanwhile Florentino Ariza holds a torch for
Fermina through the years, decades even, taking comfort where he can in his
many affairs but unable to give of himself in his pitiful state of unrequited
love.
Eventually, in old age, Dr Urbino suffers a
parrot related death and the widow Fermina is revisited by her childhood
suitor. Will this lead to a companiable friendship; a late flowering love; or a
final crushing rejection?
The episodic time-shifting story meanders
along like one of Ariza’s steamboats on the Magdelena River, with leisurely
trips up tributaries and side channels. The long luxuriant paragraphs require
unhurried reading but reward with total absorption into the time and place, and
lives and loves, created by Garcia Marquez. It has passion and pain, joy and
heartache, humour, irony and wisdom.
It reads longer than its 350 pages but is
rich and satisfying throughout.
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