Part of the ‘Into and out of Africa’ reading
journey
The story opens on board a yacht moored in
the Thames but due to set sail for parts unknown; the men aboard are drinking and
swapping yarns as they wait listlessly for the tide to turn. The setting sun
provides a brooding backdrop and leads one of the men, Marlow, to declare “this
also has been one of the dark places of the earth” and launch into a tale.
He’s speculating how the first Roman invaders
must have felt sailing up the river into the unfamiliar British terrain in an
inhospitable climate populated by savage natives; an interesting parallel to
his own experience captaining a river steamboat up the Congo to ‘relieve’ the
resident of a remote ivory trading post.
The man at the centre of the mission is the
charismatic Mr Kurtz whose trading prowess is second to none due in part to a
skill in oratory that gives him a Messianic quality that spellbinds colleagues
and natives alike. In fact the natives are so devoted they don’t want him to
leave.
Marlow’s engagement, induction and voyage up
river is recounted; with hard-nosed detachment as far the physical dangers are
concerned, but with more circumspection as regards the psychological pressures that
emanate from the jungle beyond the riverbank – the continent’s heart of
darkness. He can begin to understand how a white man may succumb to “the
fascination of the abomination” that can be found there and be prey to “the
growing regret, the longing to escape, the powerless disgust, the surrender,
the hate”.
The immensely powerful language (quoted to do it justice) gives the novella the feel of a horror story; as it is – but there’s
nothing supernatural here, it is all horribly, if unfamiliarly natural in the
time and place that was Equatorial Africa in the time of colonisation. And
Conrad should know, he did the steamboat job himself and, as a result, this anguished
take on colonisation provides an interesting contrast to Rider Haggard’s bravado.
(See previous review of King Soloman’s Mines).
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