The novel has at its centre a bit of a sex
scandal at the Abbey Grange high school, though it is glimpsed only through the
murky reportage of some of its pupils in their weekly saxophone lessons, then
through a drama put on by students at a local, but prestigious, stage school.
The saxophone teacher, up in her attic
studio, encourages her girls to open up to her and reveal the secrets they
withhold from their mothers, so what they say of the ‘abused’ girl is music to
her ears. The pretext is for them to use their emotions and experiences to
inject soul and feeling into their playing; the suspicion is that it is her
only window on the sensual world.
Meanwhile in parallel, young would-be actor
Stanley auditions and gets a place at the drama institute, only to be exposed
to equally unorthodox teaching. He too is prompted to reveal and use private
and personal experiences to enhance his art. When his class have to devise an
end of year production, the school affair is picked as the central theme.
Eventually the two strands come together
with potentially disastrous consequences, but though the plot drives the book
forward it is the teacher–pupil interaction that grips.
The teachers, significantly known only by
their titles (the saxophone teacher, the head of acting, the head of movement,
etc.) are, or try to be, manipulative; but is this for their own gratification
or for the benefit of the learners? The pupils mainly recognise the attempt but
face the same dilemma – is it for their improvement or are they just being used
for a vicarious reliving of a long gone youth.
The concept of performance is central to the
way the story is told. Time shifts uncertainly; real life events morph into
staged performances as, for example, the saxophone teacher projects scenes from
her own past onto the intimate conversations with her pupils. This sounds more
complex than it reads, because it is done seamlessly well.
This unusual novel (Catton’s first - her
second won the 2013 Man Booker prize) is compelling and thought-provoking. The
easily flowing prose and the slow reveals keep the pages turning to the end,
and the mind turning even after that.
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