The narrator, Edvard Hirifjell, lives with
his grandfather Sverre on an isolated farm in rural Norway. There are reasons beyond geographic for their
isolation.
Edvard’s parents died while holidaying in
France when he was just three, the circumstances unusual if not mysterious,
particularly as he was with them, survived, and was found days later many miles
away. His grandfather, tarred by his
eastern front service in the Nazi-supporting Norwegian Legion, is largely
shunned by the local community so it no surprise Edvard is a bit of a loner.
When Sverre dies (no spoiler - it happens
early in the book) Edvard gains access to photos and documents that rekindle
his curiosity over his family tragedy.
Now totally alone he starts asking other people questions that his
grandfather had previously fended off.
What was his mother (‘a French drifter’ according to his grandmother)
doing in rural Norway in 1965 before she had met his father? Why did Sverre’s brother Einar, a skilled cabinet
maker, leave Norway for good in 1939; if he was, as reported, executed by the
Germans in 1944, then who has made and sent the distinctive coffin for Sverre’s
burial?
That item has come from Shetland and Edvard
resolves to travel there and pick up the trail of his family history, leaving
the farm in the hands of old flame Hanne.
She fails to appreciate his new obsession but agrees to mind the shop in
his absence.
In Shetland revelations abound. Einar’s trail is picked up; a young Scottish
heiress is encountered who has an agenda of her own that may coincide or
conflict with his; more documents are unearthed; false identities and hidden
truths emerge; and all point to a certain sixteen trees that grew in the Somme
in 1914.
The book is multi-layered and intricately
plotted with atmospheric descriptions of wild and starkly beautiful
locations. Edvard’s journey is both
physical and emotional, almost bringing to mind that of Pip in Dickens’ Great
Expectations (there are even echoes of Satis House and Estella).
The outcome is uncertain to the last but
what is not in doubt is the lasting good impression of an epic tale that drags
in history, mystery and even a little carpentry.
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